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Eva Langston

10 Simple Plot Exercises You Need to Do BEFORE You Write Your Novel!

Pick up the Pace! 8 Tips to Improve Your Novel’s Pacing

in Writing on 02/08/24

What IS the pace of a novel?

The pace of a novel is how quickly the story moves along. When you receive the feedback that your story is dragging, that nothing seems to be happening, or that (horrors!) the story is boring… those are all probably signs that you need to pick up the pace.

If you’re writing a mystery, thriller, or suspense you already know the importance of a tight pace that keeps a reader turning pages. Chapter books, middle grade, and YA also need to keep things moving at a clip (because young people’s attention spans certainly aren’t getting any longer). In fact, most novels, no matter the genre, can benefit from taking a close look at the pacing. 

8 tips to improve the pacing of your novel, no matter the genre.

How do you improve the pace of your novel?

#1 Eliminate procedural language

Procedural language is what it sounds like: describing the procedures involved in an action. It’s not bad if you’re writing a how-to piece, but it can drag down a narrative with unnecessary detail.

Example of procedural language:

I walked to the sink and reached out my hand to turn on the tap. I watched the water flow from the faucet into my glass, filling it to the brim. I turned off the tap and raised the glass to my lips, taking a sip of the cold water.

A long-winded way to say, “I got myself a glass of water.”

Sometimes we writers think the more details we include the better. But you don’t have to describe every little step involved in getting a glass of water. Trust your reader and skip unnecessary procedural details that will drag down the pace of your story.

Another example:

Overly procedural: He extended his arm towards her and fitted his hand into hers, shaking vigorously before pulling his hand away.

Better: He shook her hand vigorously.

#2 Consider where your story REALLY starts

Often in first drafts there’s a lot of “throat clearing” at the beginning. Consider your first fifty pages. Are you including lots of backstory? Do you have several chapters of set-up? Where’s the catalyst that gets the story ball rolling? Try to start the novel as close to the catalyst as possible. Often you can weave in the backstory as you go — or delete it altogether.

#3 Arrive late, leave early

This is a screenwriter adage, but it works for novelists, too. When writing a scene, begin with the action already in place, and start as close to the main meat of the scene as possible. Don’t linger in the scene too long either. Get in, get out, and move on.

#4 Skip ahead

Do we really need a scene of your character riding the bus to school, walking through the hallway, stopping at her locker? Maybe we can just start with her entering the cafeteria, about to have a confrontation with her enemy. Sometimes we think we have to get our characters to their scenes, but readers can make the jump.

Again, think of your novel as a movie. A new chapter or a space break is all we need to cut to a new setting, a new day. And if you really feel the reader needs it, you can add a quick transition like, “The next day…” or “Later, at school…”

#5 Short scenes and chapters keep things moving

I don’t know about you, but when the chapters are short, it seems so much easier to keep turning the pages. “Just one more chapter…” I find this works especially well for middle grade and YA.

#6 Ask yourself if each scene is pulling its weight

Every scene in your novel should have a purpose, whether it’s showing a character’s motivation, revealing a clue, or moving the plot forward. If you’re not sure what the purpose of a scene is… could be a sign it needs to be cut.

#7 For fast-paced action, use short sentences and paragraphs

When you really want to speed things up, like in an action, chase, or fight scene, consider using short, choppy sentences (or sentence fragments) and short paragraphs.

#8 But sometimes you need to slow it down!

Of course the goal is not to leave your reader’s head spinning with a nonstop fast pace. Sometimes you want to slow things down. Maybe a character needs to reflect on what just happened, or you need to emphasize a pivotal moment in the story. Horror novels are a great example of needing slow pacing (as you build dread) followed by bursts of fast-paced action.

Look at your overall story arc and consider which scenes should move quickly and which should be slower paced. In the slower scenes, you can include more interiority (a character’s internal thoughts) and more description. In fact, this might be a place where some procedural language is useful. Think again about a horror novel, and how a character moving up a flight of stairs might be slowed down with detailed (even procedural!) description:

I gripped the handrail and gingerly placed my foot on the next step, wincing as the wood let out a groan. I stood there for a moment, heart pounding in my throat. Had the noise stopped? But no, there it came again. A low murmur, like someone was in my bedroom, talking to themselves. Except it couldn’t be. I was home alone. Wasn’t I? I took another step, the old stairs creaking loudly beneath my bare feet.

Obviously you could just write, “I walked up the stairs to investigate the weird noise coming from my bedroom.” But where would be the fun in that?

For more ways to improve your writing, check out my post on Line Editing, or subscribe to my free substack newsletter for writers, which is always chockfull of writing advice and resources. 

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